I’m from Southern California, where thunderstorms occur about once a summer. I don’t know the exact stats, but I can only remember 2 or 3 summer storms growing up, and each one was a full on storm that would drench the region for a couple days.
Virginia is different. It seems like just about every day for the last month, just around commute time, ominous clouds would roll in from the West, peeking above the other skyscrapers until they blocked out the blue. And then they unleashed, raining like a watering can over flowers, thundering in anger and illuminating the late afternoon with lightning. Sometimes the rain would wash over the skyscrapers across the parking lot like a wave: walking by a window, you’d see a wall of water coming at you. It would hit the building with a force that would make the lights flicker. Invariably, as you mumble “oh shit” to your co-workers at the buckets being emptied on your windows, it’s as much because of the relentless force of the rain as the realization that you’d have to run out to the car in this – which is, of course, where your umbrella is sitting.
And, of course, it will pound the roads into gridlock the whole way home. It might stop just as you’re pulling into your driveway, or it might wait until you’ve made the mad dash inside to relent. On the rarest of occasions, it will continue on into the evening, rewarding your afternoon frustrations with an exciting lightning-filled evening show (which really is worth it).
No matter what, though, while it’s going, the rain is relentless. Huge drops, clustered closely together, pounding thunder – it all makes me think of “I Woke Up Today” by Port O’Brien.
Port O\’Brien – I Woke Up Today
The song is an assault on the day, on the understanding of the simple relationship between humans and their environs. Port O’Brien’s songwriters, Van Pierszalowski and Cambria Goodwin, write their songs separately: Pierszalowski from an Alaskan salmon, Goodwin from the Bay Area. The combination is a fragile, if walloping, examination of the human experience. Even when it’s being rained upon.
(Mix on muxtape)
There are two types of summer song – the bouncy, fun, driving through rolling hills with the top down kind, and the dusty, stick to the couch as the day whiles away kind. Lots of blogs have been posting mixes built using the former construction.
This mix is an homage to the latter. Unlike those, it’s not about the trip to the beach, but to the world that doesn’t have the wherewithal for such leisurely escapades. It’s for all the times when you feel stuck in limbo, head hanging off the couch as you mindlessly stare at black and white daytime TV during summer vacation. It’s for the dusty Southern California towns at the furthest outskirts of LA, where it wouldn’t take much to imagine us 100 years ago, with a herd of cattle instead of a television, or sitting on a rocking chair on a hand built porch watching the sun, reddened with dust, slip over the horizon.
Neko is a siren, singing laments to the passing cowboys.
In the loneliness of the summer, with the rolling heat waves as your only companion, the cloak of sanity can easily slip off. You keep wanting to escape the worldview you’ve settled upon, but no matter how hard you try, the dust of your failure dulls the sheen of your future.
Ambling along the side of the road, kicking some cans, the clouds from passing cars soliciting coughs, you think of the family you’ve lost. Life is hard when you’re poor, and the summer sun makes you think of all kinds of crazy things – like breaking into the prison, and tearing the walls down yourself.
Nothing emphasizes the slow movement and devastation of a summer of lament like the soft chorus of a banjo and dulcimer. They just have to stay in the background or else they become distracting.
Sometimes the weather is simply crushing, the heat a bubble of air you push into when you leave the shade. It leads to hot tempers – but are they the result of the past or the present circumstances? Mired in poverty, are you to blame? Or is that the path you’re just destined to be on?
We had to move away from the deliberate descent into despair, and this is the perfect counter-argument. The subdued excitement of this song was actually the inspiration for this mix.
A lazy voice narrating a lazy day. But oh, the excitement you can find in a pile of white powder..
You have to try, you have to push, you have to make it out alive. You may not be successful, you may push on past your limits, but somewhere, somehow, you’ll move on. You’ll rise above your station, you’ll find happiness.
But they’ll be jealous. They’ll mock your intensity, your success. The escape you sought becomes a banishment.
A domestic disturbance, in the slow motion of memory, seems just a little less painful, a little more rationalized. And you proceed on, with the hopefulness of a child, as the crows line your walk of shame home.
And one time the sun sets the last time.
Searching for firewood in the tumbling twilight, the trees menace with tales of the murderers that haunt these woods. From behind each tree trunk you expect a killer to spring, knife in hand, violent lust in the eyes. Each whisper is a plea to the judge for clemency, a cackle at the lack of remorse.
And you come back to the camp, and in hushed tones tell the tale of the red eyes watching you from the underbrush, of the prison break up the road. You shiver in horror, chills running like marathon ants up and down your spine, but you’ve stared the terror of the wilderness in the eye, so these little horrors are comforting in their absurdity.
Nothing is sweeter than the moment of first love, eyes blinded, mind numbed to all but the beauty serendipity has brought you. But you have to take this gift or it will walk away, out the doors of the bar, where the night air will hide her away for eternity.
Sometimes you notice the man on stage, crooning over his piano about love’s lament. Sometimes his song, his heartbroken voice, is so beautiful that you remember that you love who you are, what the world offers you. This place, this life, these endless summer afternoons where you vacillate between the desperation of your position and the fear that you can’t become anything, are just little trials for your future. This patch of earth is who you are, and even if you leave, it forged you. It’s worth remembering for that alone.
Really great mix of the best music (in his view) from Marathon Packs. Mostly great, with a few exceptions (Mariah Carey?!). Enjoy.
Update: Also see SkatterBrain’s I Love You More Because I’m Bigger mix.
The Pomegranates have been churning out indie pop for just a few months now, having been signed on the strength of a short ep late last year. Their new release, Everything Is Alive, is an upbeat affair glazed with the contemplative vocals of lead singer Joey Cook, an effect that reminds one of mid-career Death Cab for Cutie – back when their albums featured tight little pop gems. This song is one of the more rockin’ tracks, with a driving melody, restful interludes, and infectious energy.